Music and Movies

Next Stop Hollywood

Historically, short stories were a rich source of successful movies and significant films. Classics such as Rear Window, High Noon, Psycho, All About Eve, and Blade Runner began as short stories. Unfortunately, many of the major venues for discovering new talent— The Saturday Evening Post, Colliers, and Mademoiselle —are gone. Today, short stories are again becoming an important basis for major motion pictures and television, with films such as Brokeback Mountain , Good Will Hunting, and Minority Report. One reason short stories are making a Hollywood comeback is Next Stop Hollywood, an organization dedicated to finding both new talent and terrific material. This volume, selected by more than sixty movie-buff readers and advised by an editorial board of Hollywood insiders, collects X stories that blah blah [read the introduction to find out the point of the anthology].  For more information, visit the website at www.nextstophollywood.org .

Vanity Fair's Tales of Hollywood

The stories behind the stories of some of Hollywood's most iconic movies The magazine world 's monthly arbiter of culture, personality, and world affairs, Vanity Fair has always offered the definitive insider's look at Hollywood power and glamour since its relaunch twenty-five years ago. Now, for the first time ever, Vanity Fair presents a one-of-a-kind collection featuring thirteen behind-the- scenes stories on some of cinema's most iconic films-including pictures as varied as All About Eve, Cleopatra, Sweet Smell of Success, Rebel Without a Cause , and Saturday Night Fever . For pop-culture fanatics and movie buffs alike, Vanity Fair's Tales of Hollywood is an irresistible glimpse at how classic films-and box office bombs-are made.

The Great Movies II

From America's most trusted and highly visible film critic, 100 more brilliant essays on the films that define cinematic greatness. Continuing the pitch-perfect critiques begun in The Great Movies , Roger Ebert's The Great Movies II collects 100 additional essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to films with a fresh set of eyes and renewed enthusiasm—or perhaps to an avid first-time viewing. Neither a snob nor a shill, Ebert manages in these essays to combine a truly populist appreciation for today's most important form of popular art with a scholar's erudition and depth of knowledge and a sure aesthetic sense. Once again wonderfully enhanced by stills selected by Mary Corliss, former film curator at the Museum of Modern Art, The Great Movies II is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again. Films featured in The Great Movies II 12 Angry Men · The Adventures of Robin Hood · Alien · Amadeus · Amarcord · Annie Hall · Au Hasard, Balthazar · The Bank Dick · Beat the Devil · Being There · The Big Heat · The Birth of a Nation · The Blue Kite · Bob le Flambeur · Breathless · The Bridge on the River Kwai · Bring Me the Head of Alfredo García · Buster Keaton · Children of Paradise · A Christmas Story · The Color Purple · The Conversation · Cries and Whispers · The Discreet Charm of the Bourgeoisie · Don’t Look Now · The Earrings of Madame de . . . · The Fall of the House of Usher · The Firemen’s Ball · Five Easy Pieces · Goldfinger · The Good, the Bad and the Ugly · Goodfellas · The Gospel According to Matthew · The Grapes of Wrath · Grave of the Fireflies · Great Expectations · House of Games · The Hustler · In Cold Blood · Jaws · Jules and Jim · Kieslowski’s Three Colors Trilogy · Kind Hearts and Coronets · King Kong · The Last Laugh · Laura · Leaving Las Vegas · Le Boucher · The Leopard · The Life and Death of Colonel Blimp · The Manchurian Candidate · The Man Who Laughs · Mean Streets · Mon Oncle · Moonstruck · The Music Room · My Dinner with Andre · My Neighbor Totoro · Nights of Cabiria · One Flew Over the Cuckoo’s Nest · Orpheus · Paris, Texas · Patton · Picnic at Hanging Rock · Planes, Trains and Automobiles · The Producers · Raiders of the Lost Ark · Raise the Red Lantern · Ran · Rashomon · Rear Window · Rififi · The Right Stuff · Romeo and Juliet · The Rules of the Game · Saturday Night Fever · Say Anything · Scarface · The Searchers

Hollywood Left and Right

In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics. Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present. Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).

Hollywood's African American Films

 In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate.

Cecil B. DeMille's Hollywood

" ""Far and away the best film book published so far this year.""--National Board of Review Cecil B. DeMille was the most successful filmmaker in early Hollywood history. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of the screen work that changed the course of film history and a fascinating look at how movies were actually made in Hollywood's Golden Age. Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of DeMille the filmmaker that goes behind studio gates and beyond DeMille's legendary persona. In his forty-five-year career DeMille's box-office record was unsurpassed, and his swaggering style established the public image for movie directors. DeMille had a profound impact on the way movies tell stories and brought greater attention to the elements of decor, lighting, and cinematography. Best remembered today for screen spectacles such as The Ten Commandments and Samson and Delilah, DeMille also created Westerns, realistic "chamber dramas," and a series of daring and highly influential social comedies. He set the standard for Hollywood filmmakers and demanded absolute devotion to his creative vision from his writers, artists, actors, and technicians.

Censoring Hollywood

Censorship has been an ongoing issue from the early days of filmmaking. One hundred years of film censorship, encompassing the entire 20th century, are chronicled in this work. The freewheeling nature of films in the early decades was profoundly affected by Prohibition, the Depression and the formation of the Legion of Decency--culminating in a new age of restrictiveness in the movies. Such powerful arbiters of public taste as Will H. Hays of the Motion Picture Producers and Distributors of America and Joseph Breen of the Production Code Association fomented an era whereby films with contentious material were severely censored or even condemned. This held sway until rebellious filmmakers like Otto Preminger challenged the system in the 1950s, eventually resulting in the abandonment of the old regime in favor of the contemporary "G" through "NC-17" ratings system.

Post-Classical Hollywood

At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry. Nevertheless, at the start of a new century, Hollywood's worldwide dominance remains intact& mdash;indeed, in today's global economy, the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's Hollywood& mdash;embedded within transnational media conglomerates like NewsCorp., Sony, and Viacom& mdash;differ from the legendary studios of its Golden Age? What are the dominant frameworks and conventions, the historical contexts and governing attitudes, through which films are made, marketed, and consumed, and how have these changed over the last seven decades?

Hollywood Hotel-The Hotel of Hollywood near Universal Studio

Hollywood Hotel-The Hotel of Hollywood near Universal Studio > LAX > 1160 N Vermont Ave > Los Angeles > CA > 90029>

Location.
Ramada Hollywood Near Universal Studios is a half mile from the Los Feliz neighborhood of Los Angeles, CA and 1 block from the Santa Monica/Vermont Metro station, offering easy subway access to Hollywood and downtown. The hotel is 3 miles from Los Angeles Zoo and Griffith Park. Universal Studios is 4.6 miles away.

Hotel Features.
Ramada Hollywood Near Universal Studios serves complimentary continental breakfast daily. The on site bar/lounge features ceiling murals and a marble bar. Saunas are located on every guestroom floor , and a fitness center is on site. The hotel features a large outdoor pool (hours vary according to season or weather). A lobby kiosk offers high speed Internet access (surcharge). Laundry facilities are on site. Parking is provided in a gated lot with a 24 hour attendant.

Guestrooms.
The 4 story Ramada Hollywood Near Universal Studios offers 128 nonsmoking and air conditioned guestrooms with views of the city, courtyard, or Hollywood Hills. Accommodations provide complimentary wireless Internet access; cable television with pay movies, video games, and TV Internet access (surcharges); and compact refrigerators, coffeemakers, and microwave ovens. Telephones are equipped with a call waiting feature. Bathrooms feature massage showerheads.

The preferred airport for Hollywood Hotel The Hotel of Hollywood near Universal Studio is Los Angeles, CA (LAX Los Angeles Intl.).

Distances are calculated in a straight line from the property’s location to the point of interest or airport and may not reflect actual travel distance.

Distances are displayed to the nearest 0. 1 mile and kilometre.

Otherness in Hollywood Cinema

In Otherness in Hollywood Cinema , Michael Richardson argues that the Hollywood system has been the only national cinema with the resources and inclination to explore images of others through stories set in exotic and faraway places. He traces many of the ways in which Hollywood has constructed otherness, and discusses the extent to which those images have persisted and conditioned today’s understanding. Hollywood was from the beginning teeming with people who had experienced cultural displacement.  Coaxing the finest talents from around the world and needing to produce films with an almost universal appeal, Hollywood confounded American insularity while simultaneously presenting a vision of ‘America’ to the world. The book examines a range of genres from the perspective of otherness, including the Western, film noir, and zombie movies. Films discussed include Birth of a Nation , The New World , The Searchers , King Kong , Apocalypse Now , Blade Runner , Jaws , and Dead Man .  Erudite and highly informed, this is a sweeping survey of how the American film industry has portrayed the foreign and the exotic.